East Indian Rosewood Guitar Backs and Sides
East Indian Rosewood Guitar Backs and Sides
guitar, plucked stringed musical instrument that probably originated in Spain early in the 16th century, deriving from the guitarra latina, a late-medieval instrument with a waisted body and four strings. The early guitar was narrower and deeper than the modern guitar, with a less pronounced waist. It was closely related to the vihuela, the guitar-shaped instrument played in Spain in place of the lute.
The guitar originally had four courses of strings, three double, the top course single, that ran from a violin-like pegbox to a tension bridge glued to the soundboard, or belly; the bridge thus sustained the direct pull of the strings. In the belly was a circular sound hole, often ornamented with a carved wooden rose. The 16th-century guitar was tuned C–F–A–D′, the tuning of the centre four courses of the lute and of the vihuela.
From the 16th to the 19th century several changes occurred in the instrument. A fifth course of strings was added before 1600; by the late 18th century a sixth course was added. Before 1800 the double courses were replaced by single strings tuned E–A–D–G–B–E′, still the standard tuning.
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The violin-type pegbox was replaced about 1600 by a flat, slightly reflexed head with rear tuning pegs; in the 19th century, metal screws were substituted for the tuning pegs. The early tied-on gut frets were replaced by built-on ivory or metal frets in the 18th century. The fingerboard was originally flush with and ended at the belly, and several metal or ivory frets were placed directly on the belly. In the 19th century the fingerboard was raised slightly above the level of the belly and was extended across it to the edge of the sound hole.
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In the 19th century the guitar’s body also underwent changes that resulted in increased sonority. It became broader and shallower, with an extremely thin soundboard. Internally, the transverse bars reinforcing the soundboard were replaced by radial bars that fanned out below the sound hole. The neck, formerly set into a wood block, was formed into a brace, or shoe, that projected a short distance inside the body and was glued to the back; this gave extra stability against the pull of the strings.
rosewood, any of several ornamental timbers, products of various tropical trees native to Brazil, Honduras, Jamaica, Africa, and India. The most important commercially are the Honduras rosewood, Dalbergia stevensoni, and the Brazilian rosewood, principally D. nigra, a leguminous tree up to 125 feet (38 metres) called cabiúna, and jacaranda in Brazil. Jacaranda (q.v.) also refers to several species of Machaerium, also of the Fabaceae (or Leguminosae) family, and a source of commercial rosewood.
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Rosewood is a deep, ruddy brown to purplish-brown colour, richly streaked and grained with black resinous layers. It takes a fine polish but because of its resinous nature is difficult to work. The heartwood attains large dimensions, but squared logs or planks are never seen because before the tree arrives at maturity, the heartwood begins to decay, making it faulty and hollow at the centre. Once much in demand by cabinetmakers and piano makers, the wood is still used to fashion xylophone bars, but waning supplies restrict its use. Rosewood earlier was exported in quantity from Brazil, Jamaica, and Honduras.
The most commonly ‘built-in’ Rosewood you’ll find on a guitar is Indian Rosewood, so that’s what wood we will use as our baseline for this conversation, though others will be brought up. Harvested in India, this wood is also grown on plantations in Pakistan. Used widely for fingerboards and the back and sides of acoustic guitars. Fender, Gibson, Martin, Taylor, PRS and literally every builder who can afford to use Rosewood does. It’s a fantastic tonewood with deep roots in both the acoustic and electric guitar worlds.
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Why use rosewood for acoustic guitars?
When it comes to crafting exceptional acoustic guitars, the choice of tonewood plays a significant role in shaping the instrument’s sound and character. Among the various tonewoods available to luthiers, rosewood stands out as a timeless classic, appreciated for its captivating aesthetics and outstanding tonal properties. In this post, we will highlight 4 main reasons why we love rosewood:
1) Sound
2) Volume & Sustain
3) Looks
4) Durability and longevity
We use solid Indian Rosewood on the back and sides on the Leaper Stage™. This is because Rosewood is one of the most musically rich tonewoods. Its sound character is well-balanced, yet wide-scoped. It has a deep and articular low-end, a blooming midrange, and a rich and crisp top-end.Looking at its tone and frequency, rosewood delivers a harmonized sound that shares the same sonic base as mahogany and then expands in both directions. It has deeper lows and brighter treble, while its midrange is better aligned (compared to mahogany which has a strong midrange, yet narrower sound).
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HOW DOES ROSEWOOD SOUND? RICH, BALANCED, AND RESONANT.
One of the main benefits of rosewood is its ability to produce a warm, rich, and well-balanced sound. With its exceptional low-end response, rosewood gives a depth and complexity to the guitar’s sound, ensuring a powerful bass response and impressive sustain. The mid-range is characterized by a lush, woody quality, while the high-end remains clear and articulate, without being overly bright. This harmonic balance makes rosewood guitars versatile instruments suitable for various playing styles, genres, and musical settings.
IS ROSEWOOD LOUDER?
Another remarkable quality of rosewood is its ability to deliver exceptional projection and volume. Due to its dense nature, rosewood allows the guitar to resonate freely, producing a robust and lively sound that can fill any room or performance space. This attribute is particularly valuable for live performances or situations where your guitar needs to cut through a mix, ensuring your music is heard with clarity and precision.
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